Différance Jingju : From Three Persons and Two Lamps to Smoke-locked Palace

View Full Paper

Ask AI

Bookmark

The adaptation of Three Persons and Two Lamps failed due to political censorship and script deletions, reflecting broader geopolitical tensions.
Taiwanese jingju, previously dismissed as a forgery, showcases unique qualities that challenge traditional perceptions of Chinese theatre.
The article applies Derrida’s concept of différance to analyze the complexities and pluralism inherent in the development of jingju.
This exploration calls for a reexamination of traditional Chinese theatre that acknowledges cultural differences and historical contexts.

Discussion

No takes yet. Share an insight, caveat, or question.

This article examines the political censorship of Three Persons and Two Lamps in China, suggesting tensions between Taiwanese and Chinese theatre.

Yixian Liu (2025) studied this question.

View Full Paper

Ask AI

Bookmark

This article examines the political censorship of Three Persons and Two Lamps in China, suggesting tensions between Taiwanese and Chinese theatre.