Analysis reveals binary oppositions shape interactions in metamodern cultural industry, suggesting new creative pathways.
The application of the classical method of the logical square, triangle and circle symbolism to the analysis of the modern concept of Descartes’ quadrants links the main logical models into one meta-theoretical model, which fully fits into the concept of metamodernity and interdisciplinary approach. The meta-theoretical model, through the simultaneous integration of binary oppositions, visualizes a single meta-paradigm interactive transtemporal space. The basic characteristic of the society of the state of metamodernism is the binary, oppo-sitional components, contributing to the oscillation from one extreme to the other. The generality, unity of the principles of difference and identity can be defined as a characteristic of the conceptual apparatus of metamo-dernity. The mechanism of its functioning is the multidimensional integration of all possible oppositions. The presence of binary oppositions becomes a necessary condition for the further continuous development of the entire modern, postmodern, and metamodern social system and the transition to a subsequent stage of evolu-tion. For the cultural industry, the presence of binary oppositional components freely interacting with each other is an important prerequisite for a heuristic breakthrough (creation of new works) and the realization of the pro-tective function of culture, protecting its value-semantic core from a negative destructive external impact.
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Natalia A. Malshina (2025) studied this question.
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